In June of 2010,
a team of architects, designers and educators traveled to Bolivia, where
they partnered with children working on the streets of La Paz and the
local non-profits who work with the children to generate new, street-based
versions of education. One year later in the summer of 2011,
a small team of designers and artists including myself returned to Bolivia
with the International Design Clinic (IDC), where we once again partnered
with local non-profit organization, the Espacio Cultural Creativo (ECC),
to design a series of 'educational constructs' tailored to the rigors
of the street.
Our goal is to create a School for the Creative and Performing
Arts in La Paz. We approach this by exploring the environment in which
these children work, building education prototypes accordingly, and launching
series of investigations on the streets with them in various parts of
the city. Each of these 'constructs 'are designed to foster expression
in a specific aspect of arts education, including theater, music, 2D art,
writing, and photography. We use the term 'construct' to encapsulate the
various external forms our ideas might take. Once installed on the streets,
the constructs function to provoke, measure and react to the responses
of children who might one day occupy, or even take ownership of the educational
system created.
The constructs are created in stages, according to size
and complexity. All of them are designed to fit within the existing vending
architecture of the Bolivian streetscape:
_ vending+school_EXTRA SMALL
are instructional postcards that introduce concepts such as color, visual
perception, elements of photography and theater improvisational activities;
_ vending+school_SMALL distills
education into components that can fit within the small boxes carried
by the Lustrabotas, or 'Shoe-Shine Boys', of La Paz;
_ vending+school_MEDIUM
adjusts education to the module of the handcart;
_ vending+school_LARGE creates
micro-schools within the architecture of the vending booth;
_ vending+school_EXTRA LARGE
is a School for the Creative and Performing Arts.
When combined, all scales of the work operate as a unit, creating a network
of educational devices thoughtfully situated within the streetscape.
Where we are in our process as of 2011: During this year’s
collaboration between ECC and the IDC, the work has increased in scale
and complexity in terms of educational activities and the architecture
that supports them. The work shown within this web page charts the shift
from vending+school_EXTRA SMALL postcards
to vending+school_MEDIUM constructs.
The perspective of this web page is based on my involvement
as one of the nine participating IDC members, as well as my capacity as
an observer with a double role, to put together an exhibition of our work
at the local museum in La Paz at the end of our one-month stay.
-Sarah
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